Eric Schrijver · interaction designer, artist and author

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You see a pixelated representation of an urban

You see a pixelated representation of typed text.Blog

You see a pixelated diagram of a human head, indicating the position of the

Drawing instructions; embodying the TURTLE relational drawing language for large scale typography

After Metahaven (2008/2009), Åbäke (2009/2010), Paul Elliman (2010/2011) and LUST (2011/2012), OSP Open Source Publishing are the the fifth collective to join the ESAD’s program as invited designers, giving workshops throughout the first semester.

The intervention of OSP is situated around the notion of stroke, in the sense of path—as opposed and informed by the notion of form. Allowing itself to be explored through the different modalities of drawing, typography and cartography, the stroke is intimately related to the tool by which it is drawn, thus influencing the visual language.

As technical, intellectual and cultural constructions, software embodies specific conceptions of the objects they are designed to manipulate (stroke and form, in this case). The PostScript format, for example, describes letterforms by their contour instead of their skeleton. Yet other, lesser known file formats might take an inverse approach.

The NO-FEATURE foundry, a space around typographical exchange and collaboration for (ex-)teachers and (ex-)students of the ESAD.

By virtue of the availability of the source code and more importantly still by the open discussions around their conceptions (mailing lists, collaboration platforms), free and open source software allows the designer the better grasp the implications of the tools for their process.

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2012/2013 invited designers (with OSP) at the ESAD Valence Grenoble